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Tomatoes suddenly become psychopathic killers! The attack is directed at the audience's intelligence. The Professor (think Gilligan's Island) is pitted against giant crustaceans. Why did Italy make a PG copy of "Conan the Barbarian?" 6: Love & MarriageĮducational films to ensure you will enjoy a happy marriage, 1950s style.īrain transplants galore, including swapping them between a cat and a woman. Peter Cushing and Doug McClure take on hypnotic pteranodons!Ītomic Age Classics Vol.
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Two Canadians learn the truth about American pop music.Īliens rule the future of professional boxing, but Steve Armstrong is mankind's last great hope.Īsh defends medieval Europe from an undead army. Time travel and killer robots what a mix.
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The first mission to Mars encounters terrible monsters, including a bat-rat-spider.
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James Earl Jones wearing a leopard skin smock, Sharon Stone, and Elvira as a jungle queen! Even the "L" word didn't save this film.Īllan Quatermain and the Lost City of Gold Kathy Ireland discovers an underground city.Īn alien encounters two British lesbians. Zombies created by a meteor consume a town in Florida. Spelunkers are trapped in a cave filled with aliens. Why am I tormented by hippies every Thanksgiving? Jesse "The Body" Ventura defends the universe from a renegade alien.īuckaroo Banzai must stop alien 'lectroids from escaping the 8th dimension. Vincent Price stars in what is almost a perfect black comedy. That is right they poke it.įorget chiken, those cows should be terrified of rabbetz
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It only wants to be left alone, but people and dogs insist on doing the one thing that annoys a Ymir. The Ymir eats sulfur and is docile unless poked. Where else can you watch a mascara-wearing David Hasselhoff fight stop motion robots with a lightsaber? The prince must brave cyclops, a dragon, and an evil magician to save his princess. Using his Pai Mei Fist style, Shang Kuan Cheng must find and defeat each of the other Grandmasters.
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With co-director Don Argott ( “The Art of the Steal”) instrumental in shaping interviews with Vonnegut contemporaries and family members, and terrific archival footage into a cohesive, seamless whole, Weide’s pet project serves as an affecting tribute to the man who learned, like Billy Pilgrim, that the meaning of life amounted to being “trapped in the amber of the moment.”įor the two-plus hours that we are allowed to share in its protective glow, “Kurt Vonnegut: Unstuck in Time” is time most rewardingly Home | B-Movie Reviews | Reader Reviews | Capsule Reviews | TV Show Reviewsī Home | Slime Awards | Finding Bad Movies | Random Thoughts | Bannersī Home | FAQ | Fair Use Law | Advertising | Privacy Policy | Contactī Home | Favorites | B-Movies | Monsters | Studios | Horror | Purchasing | Around the WebĪ rebellious warrior tries to save the last fertile woman on Earth.
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The two would conduct increasingly informal chats over the subsequent decades, but following Vonnegut’s death in 2007, it would take another 14 years to bring the expansive project to fruition, partly due to Weide’s day jobs (notably serving as principal director and executive producer of “Curb Your Enthusiasm”).īut there was also a degree of reluctance involved for Weide, who periodically addresses the camera, conceding that maybe by finishing the film, “it acknowledged that he’s gone.” Weide, who first pitched the project to Vonnegut back in 1982 when he had a single production credit to his name - a PBS documentary about the Marx Brothers. While touching upon professional and personal triumphs and tragedies, the film also tracks the burgeoning, touching friendship between Vonnegut and co-director Robert B. Some 40 years in the making, the remarkable “Kurt Vonnegut: Unstuck in Time” is a gorgeously rendered, unexpectedly moving appraisal of the life and craft of one of the best-loved literary voices of the late 20th century.īorrowing its title and structural cue from Vonnegut’s 1969 breakthrough novel, “Slaughterhouse-Five,” in which the past, present and future are uniquely intertwined for protagonist Billy Pilgrim, the production takes a nonlinear approach to its subject matter. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic.